Century Film Project

Celebrating the movies our ancestors loved

Tag: Victor Janson

Carmen (1918)

Alternate Title: “Gypsy Blood”

Coming early in the careers of Ernst Lubitsch and Pola Negri, this filmed version of the famous novella/opera gave them an opportunity to work with “serious” cultural material. Does this European interpretation of the story work better than its American predecessors?

The movie opens with a group of gypsies sitting around a campfire at night. One of them launches into the story of “La Carmencita” and the man she ruined. We now see Don Jose (played by Harry Liedke), who visits his mother and sweetheart in the hills before he arrives in Seville to receive a promotion to the rank of Sergeant. This is a great honor for a man of humble beginnings. We can see from his shy interactions with his fiancé that he has little knowledge of the ways of the world. At Seville, we see a parade at the changing of the guard, which seems to be a big draw for crowds, including the girls at the local tobacco factory, who wave at the soldiers and flirt with men on the street. The most beautiful, and aggressive, is of course Carmen (Negri). She sees Don Jose mooning over a letter from his sweetheart and resolves to have some fun with him. She teases him with a rose, which he mostly ignores until she leaves, then notices how marvelously sweet the odor is once she’s gone. Read the rest of this entry »

The Oyster Princess (1919)

Another Ernst Lubitsch sex comedy starring Ossi Oswalda, this one is a bit less transgressive than “I Don’t Want to Be a Man,” but still racy by the standards of the time, especially compared to American comedies. Lubitsch again shows the talent he will be bringing to movies for some time to come.

Ossi this time plays Ossi Quaker, the daughter of an American magnate (Victor Janson) who has made his fortune selling oysters. She seems to delight in destroying things, throwing newspapers when she runs out of vases to break. When Victor asks what the matter is this time, he finds it’s because the daughter of the “Shoe Cream King” is marrying a count. Of course, she demands better, so Mr. Quaker agrees to find her a prince. He goes to a matchmaker (Max Kronert) who looks in his files and discovers a confirmed bachelor by the name of Prince Nucki (Harry Liedke) and sends him an invitation to meet the Quakers. The reticent Nucki, on receiving this note in his bachelor pad, sends his buddy Josef (Julius Falkenstein) to scope out the girl in question, setting him up to play his valet. Meanwhile, Ossi is “instructed” in married life by practicing with a baby doll.

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I Don’t Want to Be a Man (1918)

This gender-bending sex comedy from German director Ernst Lubitsch demonstrates the sophistication and defiance of taboo for which he would become famous, already in place just slightly after the end of the First World War. While it might seem tame to some audiences today, it still has the power to shock or at least surprise, when seen in context of the work Hollywood was producing at the time.

Unacceptable Behavior

Ossi Oswalda stars as “Ossi,” a spoiled rich tomboy who likes to play cards, smoke, and drink liquor, but is told these are not “ladylike” by her uncle (Victor Janson) and governess (Margarete Kupfer). The uncle receives orders to travel abroad for his job, which each believes will liberate them from the constant clashes. The uncle discovers that he hasn’t the stomach for sea travel, while Ossi learns the he and the governess have hired Dr, Kersten (Curt Götz) as a new tutor  for her, to instruct her in discipline and proper etiquette. He is very strict, but Ossi is very responsive to him – instead of rebelling, she obeys his commands, possibly because she is attracted to him.

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