The Mark of Zorro (1920)
Douglas Fairbanks is a swashbuckling hero in this first adaptation of the famous novel “The Curse of Capistrano,” published just one year before. Generally seen as the beginning of a new direction in his career, the movie shows us how far cinematic techniques come since his start in 1915 as well.
The movie begins with intertitles that establish what might be Doug’s ideological stance – that oppressive systems breed their own downfall by causing heroic men to become freedom fighters in the cause of the people. Zorro is presented as such a man, and we see a soldier with a “Z-” shaped scar commiserating with his fellows in a bar. We learn that Zorro punished him for mistreating a local Native American, but also that the situation for the rich is not much better as the Governor imposes such high taxes on Don Carlos, father of Lolita Pulido (Marguerite de le Motte), that he is doomed to lose his lands. We return to the bar, where Sergeant Gonzales (Noah Beery) rails against Zorro and boasts of his prowess with the sword. He insults, but accepts free drinks from Don Diego (Douglas Fairbanks), a foppish, sickly noble. After he leaves, of course, Zorro comes in and defeats Gonzales in a duel, and fights off all of the other soldiers as well, humiliating them and generally wrecking the place.