The second and final installment of Fritz Lang’s serial “The Spiders,” like the first one, owes a great deal to earlier silent cinema, but shows the innate talents of the still new director as he works in a somewhat formulaic genre.
The movie opens with a shot that could have been lifted directly from Maurice Tourneur’s “Alias Jimmy Valentine” – an overhead image of a jewel heist that shows a labyrinthine shop floor layout as various people move about and evade one another (it was a bank in the original). The Spiders break into the vault and take the jewels back to their base, but they are discouraged to find that the “Buddha Stone” is not among them. The Buddha Stone is a much sought-after prize that supposedly would “make Asia mighty” and liberate its people from foreign rule if returned to them, so the Spiders want to sell it to the Indian-led “Asia Committee.” Apparently, they have looked everywhere for this precious and powerful jewel, but cannot find it. Read the rest of this entry »