One of Mary Pickford’s most successful features at the time, this was directed by Maurice Tourneur – or, perhaps, co-directed by him, given the power Mary wielded on the set – and written by her friend Frances Marion. It’s probably not her most accessible movie today, for reasons I’ll discuss below, but it’s a valuable insight into what made her a superstar for her era.
The movie starts out by introducing its title character, 10-year-old Gwendolyn, played by Pickford (I’ll address that later, just accept it for now). It is immediately established that she is “rich” in wealth, but “poor” in love. Her parents neglect her and leave her with unsympathetic and strict servants in charge. The scene is set for us with highly stylized intertitles that show a small girl in an enormous room, with toys but no companions. Then Gwen comes skipping onto the scene, only to be confronted by two stern-looking butlers. She sees some children skating outside the window and smiles happily, but a servant comes over to slam it down. She begs her mother (Madlaine Traverse) to give her a minute, but her mother is rushing off somewhere and says maybe they can talk to-morrow. Gwen asks, “Why is it that my to-morrows never come?”