A Lively Affair (1912)
This short anti-suffragist movie claims to show what life will be like if women get the vote. It uses gender stereotypes to suggest an upside-down world of role reversal, but the men get the last laugh.
The movie opens by showing several women, mostly wearing pants or bloomers, who are going to “a Suffragette Club meeting.” One tells a delivery man, “my husband keeps house now. Give him those bills.” Another steals a child’s bicycle in order to get to the meeting on time. Another leaves her husband in charge of a screaming baby. The ladies gather in a private residence and quickly begin a card game. Because of the stolen bike, a policeman goes to investigate the meeting. He sees the women gambling, drinking, and fighting over the outcome of a hand where someone apparently cheated. The situation is degenerating into a riot, when one of the women pulls the hair of another, pulling off a long braid and hitting her with it. The policeman rushes in to put a stop to the disorder, but is quickly overwhelmed by the violent women and tossed outside. He calls for reinforcements, and with two other men is able to arrest the suffragists. They are taken to jail, and their husbands are called. The husbands, free from their domineering wives, immediately go to a beer garden to celebrate. They then go down to the jail drunk, to parade in front of the women’s cell laughing at them. The final shots show the men in a line facing the camera, all laughing uncontrollably, then reverses to show the women behind bars and weeping.
This movie makes a fascinating contrast with “The Consequences of Feminism.” There, Alice Guy, a woman, takes the same basic theme but turns it on its head, showing that if men and women were reversed, men would have to suffer the indignities women face, and thereby making a feminist argument for equality. Here, a different (probably male) director simply argues that feminism will lead to an unnatural situation of women trying to be masculine and failing, while men are feminized. Both movies are played for laughs, but the laughs come for different reasons. This movie is missing part of the beginning, so I won’t judge it too harshly in terms of plotting, but the overall quality of filmmaking is rather weak for 1912. There is some jerky cross-cutting during the fight-and-arrest sequence, but for the most part forward-facing intertitles announce the action before it comes, and the actors perform on a proscenium-style set with no camera movement. Some of the shots of the baby crying are at least in close-up. I also found it interesting that this evidently American film used the British term “suffragette.” The term in the USA was usually “suffragist,” but maybe that wasn’t always so.
Cast: Mabel Van Buren, Lucie K. Villa
Run Time: 7 Min
You can watch it for free: here.