This is a rather shocking early short by Georges Méliès which shows “simulated” nudity, as well as more actual flesh than one expects in 1897! Intentionally or otherwise, Méliès proves to be a pioneer in the area of erotic fantasy as well as the child-friendly fairy tales for which he is remembered.
We see a set of what seems to be an upper class lady’s bedroom, decorated with rococo flourishes. A woman in an elaborate ballroom dress is center stage and another woman, dressed as a maid, accompanies her. The maid assists the lady in removing the dress, her slip, a corset and stockings, finally resulting in a bodystocking intended to simulate nudity. The woman faces the wall and steps into a tub and the maid pours water over her (actually it looks more like black powder, but this was probably to keep the bodystocking dry) from a pitcher. The maid covers her in a towel and the two exit stage left.
This movie stars Méliès’s future wife, Jehanne d’Alcy, who would marry him almost thirty years after this movie was made, in 1926. At the time, Méliès was married to Eugénie Génin, the mother of his children, so this may be the first “scandal” in film history as well. The movie is clearly a “strip show” – nothing happens except for a woman removing her clothes – and there is no attempt to disguise this by framing it in terms of a plot device. It’s worth noting that the nude female form was an accepted subject in painting and other visual arts (and the male nude had made a bit of a comeback with the re-discovery of the Ancient Greeks in the 19th century), so Méliès may have been thinking of this as an area where cinema could become more sophisticated by emulating those art forms. The woman is both mature and rubenesque, as opposed to the very young, skinny women that would be more popular in US movies in later eras, and this seems appropriate to the time and place. I have to assume that the film was not a tremendous success, because none of the other surviving Méliès films repeats the experiment, and it may be that he had difficulty in exporting it to countries that were less tolerant of French morality.
Alternate Title: Après le bal, “After the Ball, the Bath”
Director: Georges Méliès
Camera: Unknown, possibly Georges Méliès
Starring: Jehanne d’Alcy, Jane Brady
Run Time: 1 Min, 7 secs
You can watch it for free: here.