Century Film Project

Celebrating the movies our ancestors loved

Tag: Gertrude McCoy

The Blue Bird (1918)

Maurice Tourneur gets away from working with Mary Pickford in order to make the kind of ethereal fairy tale he felt was appropriate for children, adapting a famous stage play to the screen. We get plenty of fancy cinematography and effects, but it’s possible that the acting and writing don’t quite hold up.

The story begins by introducing the Tyl family, which consists of Mama Tyl, Papa Tyl, and two children: Tyltyl (Robin MacDougall) is the boy and Mytyl (Tula Belle) is the girl. Apprently, they are neighbors with “the house of rich children” and also an old hag named Berlingot (Edward Elkas) who has a sick little daughter. The little girl has heard of “the blue bird of happiness,” and she believes that if she possesses it, she will get well. Berlingot is apparently ready to try a placebo, and goes to ask the Tyls if she can have their caged bird to give to her daughter, to make her well again. Mytyl and Tyltyl are unwilling to give away their pet.

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Hope – A Red Cross Seal Story (1912)

Similar to “The Usurer’s Grip,” this is another educational short from Edison that was made in collaboration with a nonprofit, in this case the National Association for the Study and Prevention of Tuberculosis (which has since become the American Lung Association). The thin plot serves as a framework for educating the public about the disease, although depictions of medical procedures or symptoms are avoided.

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The Usurer’s Grip (1912)

This educational film from Edison was made in collaboration with a Progressive-Era nonprofit that was fighting for equitable credit for working people. It has a clear message about the “right way to get a loan,” but is rather basic in terms of film technique.

The movie begins by introducing our protagonists: The “Jenks,” a middle class family with a sick daughter (Edna May Weick) on a set that appears to be a crowded urban apartment. The Intertitles inform us that they are having financial concerns due to the unexpected expense of her malady, and there is concern that they will lose their rented furniture. Then, Mr. Jenks (Water Edwin) spots an ad in the paper for a loan company that promises low rates and easy payments. The next scene shows the office of the loan company. Here, a poor woman on one side of a counter pleads for assistance, but is turned away by the female clerk on the other side. Then, our couple enters. The wife (Gertrude McCoy) takes a seat while the man goes up to the same counter the poor woman was turned away from. He is chastised when he steps a bit too far into the workspace of the clerk. She takes his information, however, and in the next scene we see the loan agent (played by Charles Ogle, who was the Frankenstein monster in the 1910 “Frankenstein”) visiting their home to make certain they have adequate collateral. He offers them a $25 loan, to be paid back in six “easy” payments of $7.50 per month – totalling $45! Mr. Jenks at first refuses, but the loan shark won’t negotiate and he needs the money, so he reluctantly signs the papers. The loan shark gives him the money, then takes a bill off the top to cover “drawing up the paperwork.”

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