This early work from Gaumont is among the first animated movies I have discovered during this project, though, as with the early works of Windsor McCay, it includes live-action images of the illustrator and follows a stream-of-consciousness storyline.
The first image is of the illustrator’s hand, drawing an odd little character I’m going to call “the clown.” He has a pointy hat, baggy pants, and an “x” on his shirt. Otherwise, he is basically a stick figure. When he first appears, he is hanging from a beam, but he pulls this down to show a screen, with a fat character in a top hat inside. The fat character sits in a chair facing a movie screen, with the clown in the seat before him. The clown turns into a spider and swings away on a strand of web. Then a lady comes into the theater with a large hat adorned with enormous flowers. She sits in front of the fat man and he cannot see. He starts pulling flowers off the hat, but it doesn’t make a lot of difference. He rips a hole in a wall (or maybe it’s a tent flap) and hurls most of the hat through it, choosing to pull the last piece off and sit on it. He then lights a cigar and the clown reappears inside of a bubble he blows. The clown expands to enormous size and pushes everyone else off the screen, then he shrinks down and gets inside a box. The fat man comes back and puts a weight on top, but the clown bursts out and pokes him with his pointy hat. Suddenly the fat man is replaced by an old man in a chair and the clown steals his hat, snagging it on a fishhook. It turns into a blob-shape, then suddenly is a giant, sword-wielding soldier, who attacks the clown who now has a candle instead of a fishing rod. The clown puts the sword in the candlestick holder and it becomes a potted plant. Somehow, the clown’s nose is now attached to the end of the plant and he is lifted into the air as it rapidly grows. His head is pulled off his body and flung into the hands of another character, who treats it like a balloon. The clown’s body reclaims the head and the new character turns into a cannon that also looks like a giant bottle, pointing and the clown. It pulls the clown inside rather than shooting him and then opens up as the petals of a flower, revealing the clown inside. It then turns into a long snake-like object which is revealed as the trunk of an elephant, and the clown tries to ride the elephant. The elephant turns into a building and the clown opens the door and goes inside, just as a policeman walk up. The policeman locks the door, but the clown leaps out of the second-story window, breaking into pieces when he hits the ground. The animator’s hands reappear, and he puts the clown back together. The clown gets up and blows on a trumpet, which causes his pants to blow up like a balloon and he flies off, finally landing on the back of a horse.
All of that happens in less than two minutes! There’s not much time to make sense of it all, this is really more of a quick whimsical experiment in animation than an attempt to create a narrative. Still, certain aspects of cartoon narration are here – slapstick and violent comedy, for example, and taking advantage of the fact that drawn characters can magically transform or be dismembered and put back together again. I was reminded of the Sennett/Griffith collaboration “Those Awful Hats” by the sequence in the movie theater. All of the action takes place against a black background and most of the characters are stick-figure sketches, which probably made re-drawing them quickly an easier task. Apparently there were two other Gaumont animated releases that I haven’t come – it’s possible they have been lost. It appears that this proved to be too much work for the amount of entertainment it provided and they gave it up after that until better animation technology was developed.
Director: Emile Cohl
Run Time: 1 min, 15secs