In a series of short movies, Georges Méliès depicted one of the major political events in French history while it was still ongoing, a scandal involving a Jewish man framed for espionage. This unusual set of films broke many conventions of film at the time, but set the stage for new developments and suggested ways in which cinema could be used artistically in the future.
Of the original eleven films shot for this series, nine still exist. In the first, “Dreyfus Court Martial – The Arrest of Dreyfus,” we see various French officers crowded around a desk. Finally, one sits and signs a piece of paper, copying out what is dictated to him by another. The dictating man becomes agitated, and offers the other (Dreyfus) a gun, to kill himself if he is guilty, but Dreyfus refuses. The other men in the room lead him out. Read the rest of this entry »