Alternate Title: Nouvelles Luttes Extravagantes
A fairly typical example of Georges Méliès-style slapstick with special effects, this short film has rather gruesome comedy. No doubt in the years before cartoons, it would have been very popular with children.
The movie begins with a kind of tease, as we see two women in leotards on the proscenium-style set right after the title. It’s a bit confusing, however, because neither woman is noticeably fatter than the other. They take a bow and suddenly their clothes have become traditional 19th-century female garb. Then they walk off-stage and grab sheets, which they wrap around themselves. When they pull off the sheets, they have transformed into two men in leotards. These two men, who also seem about equal in weight, now begin to fight. One grabs the other, who turns into a doll, and thrashes him about, throwing him to the ground. He transforms back into a man while his opponent takes a bow and proceeds to pull off the other man’s head, arms and legs (now he’s a doll). The victor takes his bow and puts the first man back together again, allowing him to come back to life. Then each man pulls his female counterpart onto the stage from behind the back of the other. The men toss the ladies into the air, causing them to disappear, and then dance off the stage together.
Now is when the title finally makes sense, because two men in particularly comical wrestling get-up appear to fight, and one is fat, the other thin. The thin man tries to grapple his opponent, but he cannot budge the fat man due to his great bulk. The fat man lies on top of the thin man, flattening him out completely. He turns his back on his defeated opponent, who suddenly comes back to life and kicks him in the rear, causing the fat man to fly into the air. When he comes back down, both men are knocked to the floor, but the thin man leaps on the fat man’s belly, causing him to explode into various dismembered parts, similar to the man in the first fight. The thin man takes his bow and departs, but the fat man’s pieces slowly reassemble themselves. The fat man stands up and gestures angrily in the direction of his departed vanquisher.
Interestingly, the write up in the Star Films catalog describes only the second part of the film, suggesting that the distributor didn’t know what to make of the title either. Apparently something like “Burlesque Wrestling Matches” didn’t occur to anyone as an alternative. The French title means something closer to “New Wrestling Extravagances” or “New Extravagant Wrestling.” The other thing that’s interesting about this film is that I don’t think we see Méliès himself as any of these characters – although he’s not in every one of his early movies, he’s in an awful lot of them. By the standards of some of these movies, the special effects are fairly minimal. It’s the madcap pacing that makes this one work, more than mystery of his visual fantasy.
Director: Georges Méliès
Run Time: 2 Min
You can watch it for free: here.