Gaumont Treasures (1897-1913)
Link to Worldcat for Interlibrary Loan: http://www.worldcat.org/oclc/429915190
It’s been quite a while since I’ve reviewed a DVD collection of Century Films, although for quite some time I’ve been reviewing the individual movies in this one. It consists of three discs, each with a different filmmaker from the pioneering days of the French film industry. The discs feature the work of Alice Guy, Louis Feuillade, and Léonce Perret, respectively. The vast majority of these movies are shorts, and all of them are rare outside of this collection. Each has been cleaned up and presented in the highest available quality, given new English-language intertitles, and is accompanied by appropriate non-distracting music.
The movies give a great perspective on the development of cinema. Anyone only familiar with the “usual suspects” of early film (Méliès, Porter, Griffith) will receive a wonderful education as to what was going on at the same time as the more well-known pioneers. The Guy disc includes some commentary that helps contextualize her work, while the Perret and Feuillade discs both have short documentaries about their work. For Guy, we get over 60 of her short movies, including a good number of sound experiments and “The Birth, the Life, and the Death of Christ,” a 33-minute featurette. For Feuillade, there are 13 films, representing a great range of his work, far beyond the crime serials he is mostly remembered for now, with dramas, film-poems, light comedies, and historical reenactments. Perret is represented with two longer pieces, “The Child of Paris” and “The Mystery of the Rocks of Kador.”
It’s a little disappointing, after having so many movies from Feuillade and especially Guy, to wrap up with only two samples of Perret, especially since the documentary shows clips from at least a half a dozen others, but it does make sense in terms of run time. Because the other filmmakers worked in short and very-short formats, the length of each disc is about the same. It does leave you wanting to see more of Perret, though, and hopefully someday I will. The other criticism I have is that the index for the Guy disc is hard to navigate, so that if you want to examine each film independently (as I did), you spend a lot of time wading through pages of movies you’ve already seen.
These are really minor criticisms, however, of a really lovely collection. Vital viewing for any Century Film fan.