The Mystical Flame (1903)
This is a classic example of Georges Méliès filming one of his stage magic acts with a few trick photography effects and calling it a film. Coming the year after “A Trip to the Moon” and other serious efforts like “Robinson Crusoe” it may seem a bit disappointing, but surely this is where the steady income came from for Star Films.
Méliès steps onto a stage, with one of his familiar backdrops and picks up a skull that is sitting on a chair, after playing with the jaw for a moment, he tosses it into the air and it becomes a handkerchief. He does various tricks with the handkerchief, turning it into a larger napkin and then a large sheet, from which he summons forth a liveried servant. The servant helps him to bring a large screen onto the stage, and then a stool-like object, which the Star Films catalog describes as a “low table.” He sets fire to the top of the table, and a flame flares up briefly before lowering to reveal the figure of a woman. The woman steps down from the table and Méliès leads her about the stage, then puts her back atop the table. He leaves the stage and the servant professes his love for the woman, who slowly fades away. Méliès returns and chases the servant off, perhaps blaming him for her disappearance, then he tumbles over the chair and disappears himself. The servant rushes to the chair to see where his master has gone, but Méliès re-manifests on the stool/table and grabs him from behind, causing him to disappear in a puff of smoke when he touches the table. He does the same with the chair and finishes the act.
The flame is only very briefly on stage; it might make as much sense to call this movie “The Mystical Handkerchief” or even “The Skull.” The existing print isn’t that great and I’m sure this is one of those movies that would look better in the original hand-painted color. Still, it gives us a sense of the whimsy and fun that Méliès brought even to simple projects during the peak of his productivity. When in doubt, he could always make someone disappear! The black screen, which serves no obvious purpose, was probably brought in because it was easier to do in-camera effects in front of a neutral black background. The Star Films Catalog refers to the character Méliès plays as a “juggler” though he never juggles anything, and it says he appears “from under the table” although he just fades into existence on top of it.
Director: Georges Méliès
Starring: Georges Méliès
Run Time: 2 Min
You can watch it for free: here (no music).