Five years after “Intolerance,” D.W. Griffith released this epic film about sisters in revolutionary Paris, filled with romance, intrigue, suspense, and, yes, spectacle. Griffith had a huge reputation to live up to, and struggled to maintain his critical success with each new picture. How does this movie hold up after 100 years?
The movie begins with the usual Griffith intertitles expostulating on the past and current affairs. In this case, he evokes the history of the Reign of Terror to warn against America’s possible descent into “Anarchy and Bolshevism,” putting you on notice as to where he stands. Then more intertitles introduce our backstory, which establishes the classic orphaned child of the nobility being left at the steps of Notre Dame Cathedral to freeze, but rescued by a peasant who had intended to do the same with his own baby daughter. These two grow up together in provincial poverty, never knowing their roots, and become real-life sisters Dorothy and Lillian Gish, playing Louise and Henriette Girard, respectively.