Century Film Project

Celebrating the movies our ancestors loved

Month: May, 2022

Orphans of the Storm (1921)

Five years after “Intolerance,” D.W. Griffith released this epic film about sisters in revolutionary Paris, filled with romance, intrigue, suspense, and, yes, spectacle. Griffith had a huge reputation to live up to, and struggled to maintain his critical success with each new picture. How does this movie hold up after 100 years?

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The movie begins with the usual Griffith intertitles expostulating on the past and current affairs. In this case, he evokes the history of the Reign of Terror to warn against America’s possible descent into “Anarchy and Bolshevism,” putting you on notice as to where he stands. Then more intertitles introduce our backstory, which establishes the classic orphaned child of the nobility being left at the steps of Notre Dame Cathedral to freeze, but rescued by a peasant who had intended to do the same with his own baby daughter. These two grow up together in provincial poverty, never knowing their roots, and become real-life sisters Dorothy and Lillian Gish, playing Louise and Henriette Girard, respectively.

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Robinson Crusoe (1902)

Another multi-scene interpretation of classic literature, this movie was released by Georges Méliès in the same year as “A Trip to the Moon.” It also deals with questions of colonialism, but where others have found traces of a critical approach in the former film, here it seems little has changed since Daniel Defoe’s day.

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The movie begins with a depiction of Crusoe’s ship crashing, but surviving prints have very little of this – a brief flash of a man slumped over a rocky cliff, a wrecked ship in the background traces the impression lightly, though the Star Films catalog suggests we should see more of his struggle to survive. The next scene shows Robinson (Méliès) poling upriver in a raft laden with salvaged items, such as a barrel (the catalog suggests an entire scene is lost, in which we see him building the raft). Another scene shows him looting the wreck of the ship before all of it breaks up and drifts away. He locates survivors – a cat and a dog – who will be his first companions on the island. The next scene shows him atop a peak on the island’s mountainous terrain, lighting a signal fir to try to hail a passing ship. The ship sails by without stopping, however. (Once again, the catalog suggests something is missing, since two signaling scenes are listed). Now, Robinson, resigned to living long-term on the island, is shown hard at the labor of building a hut to shelter himself and his animals.

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