The Haunted House (1921)
Buster Keaton rolls out another two-reel comedy short with lots of running around and gadgets. This time, he’s a bank clerk who winds up in a house full of bandits and ham actors who mistake each other for ghosts!
The movie begins by introducing Keaton, the “wizard of finance” as he arrives for work at the bank. For some reason, he’s in a chauffeured limousine, although it quickly becomes clear that he’s just a clerk. He pries a bottle cap off the lock of the door before opening it up, and when a pretty young girl (Dorothy Cassil) asks to make a withdrawal before banking hours, he tricks the time lock by moving up the hands of the clock. An extended comic sequence occurs when he gets some glue on his hands before starting to count out some cash, and soon there are clumps of glued money sticking everywhere, to people’s hands, bottoms, shoes, etc. We learn that one of Buster’s co-workers (Joe Roberts) is involved in a counterfeiting scheme, and he sets up Keaton to look guilty. He and his criminal partners are hiding in an old house which they have rigged up with booby traps and effects to make it appear to be haunted, and of course this is where Buster runs when he is chased by the police.
Meanwhile, a troupe of actors has been putting on a performance of “Faust” and they are booed off the stage and chased through the woods to the same house, leading Keaton and the gang of robbers to believe the house actually is haunted. There is a lot of running around as each side is frightened by the other, and a gag about a staircase that turns into a ramp whenever someone ascends to the top is used six times. Finally, Keaton figures out the scam and is able to get the police to arrest the real criminals. As Roberts is about to be taken away, he hits Keaton over the head and knocks him out before escaping. Keaton is now confronted by a seemingly endless stairway leading into the clouds, and he ascends to meet Saint Peter, who takes one look at him and pulls the lever that turns the stairs into a ramp and dumps Keaton in Hell, where a devil pokes his behind with a fiery pitchfork. Keaton awakes, still in the house, to discover that his pants are on fire.
Of all the Keaton shorts I’ve watched so far, I think this one got the most laughs from me. You see the laughs coming most of the time – it’s pretty obvious how things are going to go, especially once we’re actually in the house – but there’s a sense of surprise at how far Keaton will push it and the timing is perfect. It’s very much Keaton’s film, and he takes full advantage of his screen time. The romantic subplot, involving Virginia Fox as the president’s daughter, is pushed to the background so she winds up having little to do, and few of the other actors have any standout moments. The camerawork and editing are also very simplistic and functional, but the movie works because Keaton keeps it moving so you don’t have time to think about whether it makes sense or is “art” or whatever.
Directed by: Buster Keaton, Edward F. Cline
Camera: Elgin Lessley
Starring: Buster Keaton, Joe Roberts, Virginia Fox, Dorothy Cassil, Edward F. Cline, Natalie Talmadge
Run Time: 21 Min