Way back in 2014, I watched every movie Charlie Chaplin made at Keystone Studios, but there were so many (and so many other things I wanted to cover), that I never finished reviewing them all. Now I’m taking the time to fill some of those gaps, starting with this early film about Charlie getting in trouble in a boarding house.
The movie begins with a wide shot in a kitchen, establishing the household staff. Minta Durfee is the landlady, and she supervises a man in an apron (Edgar Kennedy) and another woman as they do the cooking. A boy (Gordon Griffith) has a small camera box, but Minta shoes him away. Minta goes into the dining room and sets up the dinner, then rings a bell to summon the guests. A large group of them appears, but we cut back and forth to Charlie’s room, where he is lounging and smoking a cigarette. He slowly gets up and dresses for dinner, while Minta continues ringing away. He flirts a bit with Minta on his way into the dining room, and Edgar glares at him as he serves the food. After dinner, another man seems to want to talk to Minta, but Charlie throws his napkin at him. He and Minta flirt a bit more until Edgar interrupts them.
Later, Minta and Charlie are play tennis together, though Charlie’s occasional pratfalls suggest he may have had a few drinks in his room first. He knocks a tennis ball well out of court, and they go to look for it together. The child spots them and begins snapping photos, all the while laughing uproariously. Edgar again finds them and intervenes, finding the ball before either of them, since they seem more interested in one another. Minta now goes over to a rosebush, climbing up on a ladder, but falls off when Charlie comes over to her, and again the child is snapping photos and laughing. They go back to the house together, and Edgar escorts an older lady boarder. Left alone briefly in the kitchen, Charlie raids the liquor cabinet and there are several more pratfalls as he drunkenly attempts to sneak up to his room with two bottles and a pie.
The child now approaches another boarder (Harry McCoy), and shows him the slides he has prepared and he agrees to set up a projector so the whole house can enjoy his slideshow. When the audience is assembled, the child, laughing hard again, starts to show them shots of Charlie and Minta together, though he also shows Edgar with his companion, and soon the audience devolves into chaos as Edgar and Charlie fight and bump into the others, causing a general rout. Charlie manages to escape the room, stumbling through the screen, and Minta spanks the naughty child.
There are no surviving intertitles on the print I’ve been able to see, so a certain amount has to be inferred. Evidently, Minta and Edgar are married, although the cliché is for the landlady of a boarding house to be widowed or a spinster. Also, evidently Gordon is their son. Minta really does seem quite receptive to Charlie’s advances, and (surprisingly for the time), we see Charlie quite openly admiring her backside. No doubt this contributed to the idea that his movies were “vulgar.” Charlie is in full “Little Tramp” getup at this stage, even his mustache is down to the familiar width, and some of his signature gestures (such as his “what, me?” shrug) are clearly established. He’s still building a lot of his act around “funny drunk” bits, and he’s less inclined towards violence in this picture than in others around the same time. That doesn’t stop the movie from ending in a classic Keystone riot, however.
Director: George Nichols
Camera: Frank D. Williams
Run Time: 11 Min, 30 secs
You can watch it for free: here.