A Broncho Billy Western starring Gilbert M. Anderson that allows him to play a bad man who sees the light and goes straight, not for the first time. Interestingly, this is a rare case in which a bandit is shown in relation to his parents.
An intertitle informs us that a member of the notorious car barn gang has been apprehended and spilled the beans, and we witness the results as Broncho Billy (Identified in interititles as “Tom”) is arrested at his breakfast table in front of his parents. Shortly thereafter, his dad is fired from his job and his mother receives an eviction letter. Polite society doesn’t want the relatives of a criminal around. Years later, Billy has been released and we see him wearing cowboy gear and rolling a cigarette while talking to a cohort. Said cohort watches the stagecoach from a distance and follows it into town when it delivers a cash box to a general store. The proprietor helps a guard to set up a place to sleep next to it and the man beds down. Billy and his buddy take a couple shots of whiskey for courage and ride into town together. They put on masks and hold up the guard, tying him up and taking the key to the cash box. The other criminal goes into the sleeping quarters and holds up the proprietor. He finds a photo of Billy’s parents and realizes that is who they are robbing, deciding to conceal this from Billy. He rejoins Billy and the two ride off with sacks of loot. The second man insists that they divvy up the loot back at the hideout and each man goes his own way. Billy eventually finds a familiar pocket watch in his share, and concludes what has happened. He chases the man down and finds him sleeping by the side of the trail. The two fight, and Billy gets his guns on him before the other can draw. He holds him at gunpoint and makes him ride back to town. He brings him and the loot to the sheriff, confessing the crime and turning his partner in. They are handcuffed together and taken to a cell. A final shot shows Billy, years later, at the supper table in prayer with his aged parents, the father saying grace.
This is a pretty straightforward example of its series. It makes no effort to tie Anderson’s character in to other Broncho Billy storylines, and doesn’t even refer to him as “Billy.” It uses forward-facing intertitles that telegraph the action before you see it, in some cases spoiling or confusing the story by coming too soon before what they announce. The camera is stationary and generally at medium shot or further from the action (we can’t always see the actors’ feet, at least). Some shots are held for a very long time, even though not that much is happening – given the short run time I was surprised at how much of the guard getting ready for bed was shown. Still, Anderson tries to maximize the drama and sympathy we develop for his character in a short time, suggesting that he has a kind of code or sense of responsibility despite his villainous career. It does seem like the partner could have insisted on keeping everything he stole from the parents, giving Billy a bigger share of the payroll and prevented him discovering the watch, but I suppose it also represents how greedy he was that he didn’t do that (and it would have ruined the story).
Director: Gilbert .M. Anderson
Run Time: 16 Min
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