This short piece of photojournalism documents a largely forgotten natural disaster, when the Seine river burst its banks and displaced as many as 150,000 Parisians. As a surviving example of actuality film, it gives the modern viewer a glimpse into a disturbance in everyday life of the past century.
The movie consists of several shots of the city of Paris during the days of the flooding. Quite a few shots show us the Seine itself, usually flowing under bridges which are only a few feet from being inundated. As a foreign viewer has no context to know how high the river normally is, however, this is perhaps not as dramatic as the film makers had hoped. We also see a mobile pumping machine, a pipe that is pouring water from the streets beck into the river, and a bit of an industrial dockyard that appears to be quite swamped. The more dramatic images, however, are of wet streets and a partially-submerged park. In some places, we see boards have been set up so that people can get to the bakery for their daily loaf of bread without being soaked to the knees. In another, we see a man pulling a small rowboat, apparently carrying commuters in place of a trolley. There are two horses, valiantly pulling carriages through streets covered in at least a foot of water. There are few intertitles, and where they occur, they mostly identify locations: “The Island Club Courbevoie,” “The Ministry of Foreign Affairs,” “Molineaux Raliroad Drain Dumps,” “Paris Rue Felicien David Taken by Boat.”
Most of the shots are understandably taken in wide angle, and they tend to show panoramas of the scenes they convey. In some cases, the camera is static, but more often it moves from left to right, allowing us to see the extent of damage or water in a given place. The final shot is taken from a moving boat, essentially a tracking shot of the street. Sullen Parisians look at the camera while being filmed, or else they go about their business. The real interest of this movie is mainly the opportunity to see what Paris looked like at the time. The buildings, clothing styles, and even the lamp posts retain an old-world look, as if the movie could have been taken decades earlier. The only sign of an internal-combustion engine is the pump, and that seems to have been drawn to its position by horsepower. People travel either by boat, by foot, or horse-drawn carriage, although this probably reflects the result of the disaster, rather than the norm of a European city of the time.
Run Time: 4 Min, 26 secs
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