This is an incomplete short from Edison that features a baseball game and was tied in to a publicity stunt involving teams from New York and Pittsburgh. What we see leaves a certain amount to be desired, but it does illustrate the transitional period from “Attractions” to “Nickelodeons.”
The movie opens on a very stage-like office set, with a short man pantomiming a baseball game to a woman sitting behind a typewriter. The man, apparently the “office boy” of the title, ceases his antics when another man comes in, who gives the woman, evidently a secretary or stenographer, an affectionate peck. Then an older man with white hair walks in, and the office boy hands him a note. An insert shot shows us that his note says that his grandmother is dead, and he should come home immediately, so the boss dismisses him for the day. When his back is turned, the office boy gives his co-workers a triumphant laugh. The scene lingers for a few extra seconds, as if something more will happen, but it does not in the surviving print. Instead, we cut to our office boy sitting on top of a telephone pole, brandishing a telescope, apparently in order to see the big game. We cut between shots of what he is seeing (framed with an “iris” around the lens to make a circular image as we would expect to see through a telescope) and shots of his reactions, which are often enthusiastic enough to nearly unseat him from his perch. The telescope footage begins with scenes of baseball players being driven onto the field in contemporary automobiles, then images of a marching band on the field, and it moves into what seem to be mostly warm-up plays or plays staged specifically for the camera. We also see the office boy’s co-workers in the stand, and they seem to be getting chewed out by the boss, who is sitting behind them, but no clear logic for this is in the surviving footage, and indeed the shots of the boss arriving and his yelling at them seem to be in the wrong order. The footage ends with a shot of the scoreboard.
The blog “Baseball Researcher” has filled in a lot of the details of this movie, including a lot of factual information about the location and teams that add to our understanding of this footage. First, the plot seems to be obscured here, but we are meant to understand that the secretary and the office worker made an excuse to leave early as well, while the boss decided that if no work was getting done anyway, he might as well go to the game, only to find his idle workers playing hooky at the field! Thus, the sneaky office boy gets the pleasure of watching his rude co-workers take the punishment he also deserves. Next, these observations confirm my suspicion that most of the playing we see is staged; although movie cameras at ball games weren’t exactly new, the Edison photographers had probably learned that with the limited length of film reels in those days, the chances of catching a good play “by chance” were pretty slim. It also describes a screening of the film for the two ball teams in the evening on a rooftop of a “legitimate” theater, which strikes me as a very intentional “attraction”-style stunt to get some press coverage for the film, and maybe as repayment to the players for staging the scenes for them. By 1906 standards, this is a pretty simplistic film, at least to judge from what we can see, so it probably needed all the promotion it could get to be a big seller. One final note, though this is hardly surprising for the era, is that there is no attempt to line up the angle of the camera with that we would expect to see through a telescope looking from above. All of the shots are taken on the same level as the players and we have to “suspend disbelief” to imagine that the office boy would see it this way.
Director: Edwin S. Porter
Camera: Edwin S. Porter
Run Time: 5 Min (surviving)
You can watch it for free: here.