The Infernal Cauldron (1903)
Alternate Titles: The Infernal Caldron and the Phantasmal Vapors, Le Chaudron infernal
Méliès, dressed as a demon (the Star Films catalog informs us he is “Belphegor, executioner of Hell”), dances in front of a large boiling cauldron, on a set dressed like a Renaissance castle, with leering devil masks on the walls. Three women (two apparently dressed as men, wearing swords) are led into the chamber, and one at a time thrown into the pot. Another demon comes forth to stir the pot and Belphegor makes some magical gestures, producing more smoke. Suddenly, the smoke resolves itself into three ghostly figures, which fly about the room over Belphegor’s head, evidently frightening him. The ghosts turn into fireballs which whip around the room. Méliès leaps into the cauldron after they have disappeared, and the cauldron and demon disappear in a puff of smoke.
Although it looked to me as if the victims were having their revenge (in a plot reminiscent of “The Golden Beetle” by Segundo de Chomón), the Star Films catalog suggests a different narrative, more in line with Catholic theology. The condemned souls have been separated from their bodies by the cauldron, and at the end Belphegor turns them into Will-O-The-Wisps, “who must forever remain with the vast concourse of Satan’s victims.” The disappearance of Belphegor at the end is apparently voluntary, since his work is now complete. The catalog also makes quite a big deal about the transparent flying ghosts, calling it, “A very fascinating and absolutely new trick.” There have been some ghosts in Méliès before this, including the semi-transparent one in “A Fantastical Meal,” but these spirits do seem somewhat more nebulous and sophisticated to me. I would imagine that producing an effect for the audience was ultimately more Méliès’s interest than making a coherent or spiritually consistent storyline.
Director: Georges Méliès
Starring: Georges Méliès
Run Time: 1 Min, 45 secs
You can watch it for free: here.