Best Director 1917

by popegrutch

By 1917, directors were well established as the final authority on set, setting the stage for the future of “auteur theory.” Still, some directors used this power to create art, and others used it to make sure they got a bigger paycheck. The directors who are remembered today are generally the ones who fought to make something beyond a quick buck. They had the vision, if not to realize that people would still be fascinated by their work in 100 years, at least to hope to bring something to audiences besides a momentary distraction.

The nominees this year were dedicated to making film into an art form. Evegeni Bauer, whose short life was soon to end, had already made some amazing films, including “After Death,” which won him the Century Award for Best Director in 1915. This year he offered what might be seen as his masterpiece, “The Dying Swan,” a movie which has had several nominations (though no wins) this year. Charlie Chaplin is a many time nominee for directing, and this year his best work was “Easy Street,” which took home the Century Award for Production Design. His somewhat improvisational directing style was supported by the existence of a complete set of a city street that he and his actors could play on. Louis Feuillade is back once again with a serial, the superhero thriller “Judex,” which may have inspired Batman. Episodes of “Judex” have won for Best Costume Design and Best Supporting Actor this year. The best directed episode, “The Woman in Black,” is up for its first award here. Maurice Tourneur is another returning nominee to the awards. His movie “Alias Jimmy Valentine” was up against Bauer in 1915, but the Russian won over the Frenchman. This year, a movie he wasn’t entirely happy with gets the nod; “Poor Little Rich Girl” forced him into an uneasy relationship with star Mary Pickford, who got her own way more often than he did. Victor Sjöström is the only first-timer on this list, but only because this project started too late to honor “Ingeborg Holm” with a nomination. “A Man There Was” has already won for Best Cinematography and Best Leading Actor, two of the most prestigious awards, now it’s up for directing as well.

The nominees for Best Director for 1917 are:

  1. Evgeni Bauer for The Dying Swan
  2. Charlie Chaplin for Easy Street
  3. Louis Feuillade for The Woman in Black (Judex)
  4. Maurice Tourneur for Poor Little Rich Girl
  5. Victor Sjöström for A Man There Was

And the winner is…Evgeni Bauer for “The Dying Swan!”

I probably gave myself away by referring to it as “arguably his masterpiece” above. Actually, I like “After Death” and “Child of the Big City” a bit better, but this one clearly was a labor of intense love for Bauer himself. I think he meant it to top his earlier work, and it may be that dedication that wound up driving him to his own early demise, a haunting reflection of the theme of the film. This is obviously my last chance to honor Bauer with a Century Award, but I’m still hoping to have opportunities to see other work by him that I’ve missed.

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