Shark Monroe (Hart), owner of a sealing vessel, agrees to take Marjorie Hilton (Katherine MacDonald) and her brother Webster (George A. McDaniel) to Skagway, provided Webster works his own passage. Webster is a drunk whom Monroe hopes to reform, but his sister sees Monroe as a bully who pushes Webster too hard. Monroe, of course, falls for her in a big way. Bert Sprotte is the typical grizzled bro-mantic sidekick with a soft heart, called “Onion” McNab. Marjorie falls into the power of Big Baxter (Joseph Singleton), a notorious character of the Alaskan coast (the intertitles tell us he is responsible for the ruin of half the women in Alaska), and agrees to marry him. Shark appears and, while his men hold the wedding party at gunpoint, marries and runs off with Marjorie. At the end of two weeks he agrees to safely return her to Baxter’s camp, revealing that the preacher who “married” them was actually a fake. Webster and Baxter arrive, however, and to restore the young man confidence Shark allows Webster to beat him in a fist fight. Later, after overhearing Baxter lie about him, Shark kills Baxter with one blow, and Marjorie finally realizes that her heart has been his all along.
According to the introduction given at Cinecon, this movie was set in Alaska because the studio could no longer find enough men to do stunt-riding during the war (all of them had enlisted), and so a story was needed that wouldn’t require any horses. There are some good dog-sleigh scenes. A number of silent films have kidnappings that turn into romances, often with some implication that the girl “learns what’s good for her” because of the man’s caveman tactics, but in this case it is played somewhat more realistically. Marjorie resents Shark for what he does and refuses even to speak to him, and only comes around after being released unharmed (and, it appears from the script, un-raped). In this case it seems more that Hart’s character uses the only tactics he can understand, only to realize when they didn’t work that he needs to prove himself in another way. Otherwise, the romance is very similar to what we saw in “The Return of Draw Egan,” with Hart pining for the girl and her horrified at his lack of civilized manners, complicated by his “tough love” approach to her brother.
Director: William S. Hart
Camera: Joseph H. August
Starring: William S. Hart, Katherine MacDonald, Joseph Singleton, George A. MacDaniel, Bert Sprotte
Run Time: 50 Min
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