Best Supporting Actress 1916
Women were an important part of silent movie history, often stepping outside of the “traditional” roles to become involved in writing, production, and even directing. Historian James Card emphasized the depth of female characters on the screen as well – he often found that the women in this period are more interesting than the men. Not only as stars, but also as supporting character, female parts often gave their actors a chance to stretch and grow as artists.
This year, the women in supporting roles varied from heroines to mothers to villains, and even villainous mothers. Lidiia Koroneva’s role as a mother in “A Life for a Life” is non-traditional, in that she is a successful businesswoman whose decisions regarding inheritance and favoritism inform the rest of the plot. In “Return of Draw Egan,” Louise Glaum brings vivaciousness and brazenness to her role as a femme fatale. Constance Talmadge has a more positive approach, but no less energy, in her part as “The Mountain Girl” in D.W. Griffith’s spectacle “Intolerance.” Appearing in her own movie, “The Curse of Quon Gwon,” director Marion E. Wong also makes a complex villain as the traditional mother-in-law of an immigrant girl torn between past and present. And Musidora was the iconic Irma Vep in “Les Vampires,” going through multiple costume changes and misadventures during the course of “The Lord of Thunder.”
The Nominees for Best Supporting Actress of 1916 are:
- Lidiia Koroneva, in “A Life for a Life”
- Louise Glaum, in “Return of Draw Egan”
- Constance Talmadge, in “Intolerance”
- Marion E. Wong, in “The Curse of Quon Gwon”
- Musidora, in “The Lord of Thunder”
And the winner is…Marion E. Wong for “The Curse of Quon Gown!”
All of the nominees were good this year, but I felt that first time actor-director Wong deserved recognition for the subtlety and strength of her performance. Because the movie was never released, she never became the star she could have been, but a century later she can still be celebrated as one of the best actresses of her era.