Best Makeup and Hairstyling 1916

by popegrutch

As the close-up becomes an increasingly important piece of filmic vocabulary, the faces and hair of performers are increasingly visible and important aspects of what audiences see and go to movies for. At a minimum, good makeup is necessary to be certain that the camera’s eye sees the performer at his or her best, but hair and makeup can also transform a beauty to a monster, or vice versa. Our selections this year emphasize such extreme transformations.

In “Intolerance,” director D.W. Griffith uses exotic makeup and hairstyles to evoke distant ages, and more subtle styles to show more contemporary periods as he ambitiously travels through time to show the effects of human prejudice through the ages. The Russian production “Queen of Spades” shows us two grand periods in French history, and puts actor Ivan Mosjukine under considerable makeup to create his character of an obsessed soldier. In “Waiters’ Ball,” Roscoe Arbuckle shows that a little change in hair and makeup can make a baby-faced man into a woman, and Gloria Swanson goes the opposite direction in “The Danger Girl.” Finally, the characters of “Snow White” help to create a fairy tale environment with makeup and hairstyles that include an evil witch, a beautiful queen, and, of course, seven children playing grownup dwarves.

The nominees for best makeup and hairstyling of 1916 are:

  1. Intolerance
  2. Queen of Spades
  3. Waiters Ball
  4. The Danger Girl
  5. Snow White

And the winner is…“Intolerance!”

Intolerance_(film)

Although the work on all of these films is impressive, there’s no denying that the scope and attention to detail in this massive superproduction put it in a class by itself. The Babylonian Story, in particular, features some particularly striking and creative makeup and hairstyles. But, in the French Story and the Judean story, a similar amount of attention (if not as much originality) shines through, and the understated work on the Modern Story makes it a perfect contrast with the other three. While we all know Griffith is not my favorite director, I have to honor him and his crew for what they accomplished here.

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