Alternate Title: Effets de mer
It’s odd to find this simple series of shots of the ocean amidst the movies Alice Guy put out in 1906 – it feels like a reversion to the simple experiments from the “Age of Attractions.” I do suspect that this was also a bit of an experiment, but from what we have, it’s hard to rate its success.
We see three images of the ocean breaking against rocks at the shore, edited together in sequence. The first is so close that it could almost be a river. The second is a slow pan back and forth along the coast – this gives us the clearest perspective of the location. And the final image appears to be a reversal of the first, again focusing on the rocks without the horizon visible. The movie includes no human figures or narrative of any kind.
I’m inclined to read this as an attempt at “visual poetry,” but it’s hard to say. For one thing, as it stands, we have the images, but there could have been more to this movie. Possibly Guy released it with narration, which would have been read aloud as it ran by an exhibitor. Or, possibly this wasn’t even intended for release – maybe she was testing a new camera or taking shots she intended to use later in some other way, but they were found in Gaumont’s cellars and included in this set. The title “Ocean Studies,” made me expect something scientific, but as soon as I saw it I realized they meant “study” as a painter would use the term: a study of the ocean. It’s worth noting that by this time Guy had brought on a new assistant, Louis Feuillade, who would write “manifestos” of film as art and try some interesting work along those lines as well, so it’s possible that he influenced this anomalous movie as well.
Director: Alice Guy
Camera: Unknown, possibly Alice Guy or Anatole Thiberville
Run Time: 1 Min, 40 secs
You can watch it for free: here.