Best Costume Design 1915
The clothing we wear affects how others see us and how we see ourselves. An actor’s body language and character can be directly influenced by their outfit, and time periods are established for the audience at least as much through clothing as through scenery. The movies selected for this year’s award for costume design all reflect the importance of this art to the motion pictures.
In “Trilby,” a bohemian subculture is established through clothing, and the development of the main character is shown through her wardrobe changes. In the “Les Vampires” episode called “The Deadly Ring” exotic costumes contrast with the day-to-day norms of Parisian culture. Theda Bara got to display some of the hottest fashions of 1915 in “A Fool There Was.” The Civil War era comes alive in the costumes of “The Coward.” And, although it is remembered today for the innovation of female nudity, the diverse costumes of Lois Weber’s “Hypocrites” help establish the archetypal nature of its characters.
The nominees for Best Costume Design of 1915 are…
And the winner is…”The Deadly Ring!”
As with last year, when I gave the award to Chaplin’s “Little Tramp” outfit, again I chose what must be seen as one of the most iconic images of 1915 cinema, the famous bat-suit worn by Stacia Naperkowska for her brief and fatal dance sequence. While the other costumes in this movie owe a great deal to its “Fantômas” predecessor, the glamorous evening clothes of Jean Ayme and the Grand Inquisitor’s understated but official costume also earn a mention.
[applauds vigorously] Ooo…love that bat suit!
Ha ha, yes! Some of my decisions are easier than others.