This early Edison kinetoscope was part of the first commercial exhibition of motion pictures, and represents the efforts of the studio to appeal to audiences, along with Annie Oakley, through the use of celebrities or interesting individuals. Eugen Sandow was a bodybuilder who was promoted by the famous Florenz Ziegfeld, who had him display feats of strength before large audiences in many different countries. Apparently, Ziegfeld found that people were more fascinated by Sandow’s perfectly muscled body than with the amount of weight he lifted, so this film is a kind of ritual dance in which Sandow flexes different muscle groups for the camera. It also shows more flesh (albeit male flesh) than any other movie of the nineteenth century that I can think of. Sandow’s “package” is plainly obvious in his meager shorts, and I have to suspect that audiences of that notoriously repressed era were titillated by this display. Apart from the sexual appeal, which most viewers (especially the men!) would never have admitted to, the film makes no effort to add narrative or elements such as comedy or suspense that might have kept audience interest: the fact that the subject moves is enough in itself.
Director: W.K.L. Dickson
Camera: William Heise
Run Time: 45 seconds
You can watch it for free: here.