Massacre, the (1914)
by popegrutch
Shot in 1912, this movie by Griffith had to wait almost two years for an American release, in part due to the increased acceptance of the longer (2 reel) format. It reminds me of “The Invaders” by being a Western which depicts the clash of cultures between Native and Euro-Americans without over-justifying the Settlers’ position. Events are precipitated when a troop of American cavalry makes an apparently un-provoked attack on an “Indian village,” and the camera lingers on a dead woman and her baby to make the moral point that US forces are not clean. We then move to a caravan of “innocent” settlers, escorted by General Custer to “the new country” to begin their lives, and the inevitable Native American attack begins. Among the settlers is new mother Blanche Sweet (who we know from “The Lesser Evil” and “One is Business, the Other Crime”), who, having chosen one of her two suitors earlier in the picture, must now be protected by the man she rejected. The cast includes quite a number of Griffith regulars, as you’ll see from the cast list below, perhaps most notably Alfred Paget (from “The Lesser Evil” and “The Musketeers of Pig Alley”) as the “Indian Chief.” The wide-shots of the battle scenes are complex and effective, and foreshadow Griffith’s famous battles from “The Birth of a Nation.”
Director: D.W. Griffith
Camera: Billy Bitzer
Starring: Blanche Sweet, Alfred Paget, Wilfred Lucas, Charles West, Robert Harron, Dell Henderson.
Run Time: 30 Min.
You can watch if for free: here (recommend you mute the soundtrack!)
[…] shot around the same time and that battle scenes had been staged far more effectively in both “The Massacre” and “The Battle at Elderbush Gulch.” In other words, this is one area where D.W. Griffith […]
[…] The Massacre […]
[…] Speaking of Griffith, he’s no newcomer to the biz, but he’s brought some important innovations this year to his work. One is his new emphasis on features as opportunities for the artist to express himself more deeply. Audiences have responded well to the new, longer format, and we suspect that he’ll be showing us some amazing things in the coming year. Another factor is his relocation to California, where he’d already made a few pictures, and his departure from Biograph Studios to set off on his own. Biograph wouldn’t even be in the running at all this year, except for two belated Griffith releases: “Judith of Bethulia” and his thoughtful short, “The Massacre.” […]
[…] The Massacre […]
[…] 2-reel Western wraps up my exploration of D.W. Griffith’s early shorts. Unlike “The Massacre” and other examples, this movie has no narrative of sympathy for Native Americans, using them as […]
[…] used to summon the hero to the rescue by motorcar, here wife Blanche Sweet (who we’ve seen in “The Massacre” and “The Painted Lady”) tries to talk hubby Henry B. Walthall (from “The Avenging […]